我第一次同尚小云合作是他出科后,我们在崇文门外茶食胡同广兴园合演《玉堂春》。他演苏三,我演蓝袍刘秉义。这出戏完全是按老派唱的,腔调唱得饱满、刚劲。现在听来是老腔老调,一点不花哨,可在当时是首屈一指的陈德霖唱法。尤其是苏三听到要用刑时,面显惊惧,口衔发绺,从跪的地方跃起摔的“坐子”,节奏之快,摔法 My first co-operation with Xiaoyun is that after he was out of class, we performed the “Yutang Spring” at Guangxing Garden, the alley of tea at Chongwen Gate. He plays Su San, I play a blue robe Liu Bingyi. This play is entirely by the old school singing, tone tune full, vigorous. Now it sounds old-fashioned old tune, not fancy, but was second to none Chendelin singing. In particular, Su San heard of the sentence to be used when the face was horrified, his mouth made hair, jumping from the kneeling place “sit”, rhythm, throwing