20世纪上半叶,在晚清印坛映照下,印坛写意印风逐步盛行,出现了两大巨匠—吴昌硕和齐白石。随着吴昌硕和齐白石的相继谢世,现代印坛一时群龙无首。进入七十年代,来楚生突破时局禁锢,承前启后,以生辣苍拙、浑朴雄健之印风卓然独立,开拓出当代篆刻艺术写意印风之新风貌。来楚生是浙江萧山人,原名稷勋,字楚生,别号然犀、负翁、一枝、非叶、楚枭、安处、怀旦等。来楚生书、画、印融古铸今均取得了非凡的成就,尤以篆刻最为突出,从 In the first half of the 20th century, under the influence of the late Qing Dynasty printing altar, the Indian impressionism gradually prevailed and the two great masters, Wu Changshuo and Qi Baishi emerged. With Wuchang Shuo and Qi Baishi one after another, the modern Indian altar temporarily ramblerless. Into the seventies, to Chusheng breaking the current situation imprisonment, Chengqianqiqian, to spicy Clover, muddy and prudent of the Indian style Zoran independent, to open up the contemporary style of carving impressionistic Indian novel style. Chu Chusheng is a native of Zhejiang Xiaoshan, formerly known as Ji Xun, the word Chusheng, alias rhinoceros, negative weng, a, non-leaf, Chu Xiao, An office, Huidan and so on. To Chu’s book, painting, ancient India and India have made remarkable achievements this year, especially the most prominent carving, from