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本文重点从对写意的思想表达以及写意的表现形式两个方面,阐述中国当代风景油画中的写意性,对抽象表达、主观表达以及空间写意、造型写意、色彩写意进行了分析。上个世纪初油画在中国扎根,一大批以风景写实为主的油画家诞生,他们在摸索西方风景油画的同时,逐渐将中国的民族元素融入其中,形成了完整的融合体系,使得中国风景油画具有了国画一样的“写意”特性,具体来看
This article focuses on two aspects of the freehand thought expression and the freehand expression, expounds the freehandness in Chinese contemporary oil painting, and analyzes the abstract expression, the subjective expression as well as the space freehand brushwork, the stylistic expression and the color freehand brushwork. Early in the last century, oil painting took root in China. A large number of oil painters, mainly composed of landscape realism, came into being. While exploring the western landscape paintings, they gradually incorporated Chinese national elements into them and formed a complete integration system that made Chinese landscape paintings With the same traditional Chinese painting “freehand” features, specifically