在讨论赖特的建筑作品时我们会发现,赖特的建筑作品就象是几何形体和自然形体之间的对话。在这里,对话的每一方都代表了一个完整统一体的一部分。在偶然性和不规则后面,实际上却隐藏着一种使人不易发现的几何制约关系。这种几何关系被扭曲和变形之后,就成了自然界中的不规则的、自然的形态。西塔里埃森(Taliesin West)是这一思想的代表作。在西塔里埃森的毛石墙上,粗乱的毛石,镶嵌在混凝土的基质上,远远看去,景色别致(图1)。这些毛石基本上被 When discussing Wright’s architectural works, we will find that Wright’s architectural works are like a dialogue between a geometric body and a natural body. Here, each side of the dialogue represents a part of a complete unity. Behind accidents and irregularities, there is actually a hidden geometric constraint that makes it hard to find. After this geometric relationship is distorted and deformed, it becomes an irregular, natural form in the natural world. Taliesin West is a masterpiece of this idea. On the stone wall of Sitaeli Essen, coarse rubble stones are embedded in the concrete matrix, and from a distance, the scenery is unique (Figure 1). These rubble are basically