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随着世界经济全球化浪潮的席卷以及世界文化全球化的不断深入,当前我国的中国水墨画的各种走马观花似的样式也是层出不穷,一波接一波的出现。这些样式与评论之中尽管不乏有高质量的作品以及有现代性意义的发展,但是从整体发展规划和现状来看,搞得许多画家为了迎合所谓的样式疲惫不堪,把艺术作为了商业气息浓厚的商品,从而影响了水墨画的发展。本文将就当前中国水墨画语境和样式下的当代性进行一个综合探讨,以期能够扭转类似局面,还当代画坛一份宁静。
With the sweeping tide of global economic globalization and the continuous deepening of the global cultural globalization, all sorts of patterns of Chinese ink-and-wash paintings that appear in current China are endlessly emerging one after another. Although there are no shortage of high-quality works and modernized development among these styles and commentary, from the perspective of overall development planning and current situation, many painters are tired of catering to the so-called style and regarded art as a commercial atmosphere Of the goods, thus affecting the development of ink painting. This article will conduct a comprehensive discussion on the current contemporary Chinese ink painting context and style, with a view to be able to reverse a similar situation, but also a quiet contemporary painting.