考察20世纪70年代至今贾平凹小说观念的变化,一个不容忽视的现象是:中华美学精神或者说是中国古典文脉愈来愈成为贾平凹表达当代生活的重要思想及美学资源。从早年作品多古代笔记的流风余韵,到《废都》有意识地承续明清世情小说意绪,再到《带灯》宗法两汉史家笔法,贾平凹诗学观念的转变,与其对中国古典思想及美学理解的变化密切相关。而在这一变化过程 Investigating the changes in Jia Pingwa’s novels since the 1970s to the present, one phenomenon that can not be ignored is that the spirit of Chinese aesthetics or the ancient Chinese context is increasingly becoming an important thought and aesthetic resource for Jia Pingwa to express contemporary life. From the flowery afterthoughs with many ancient notes in his early works to the “waste capital”, he deliberately inherits the sentiment of the novels in the Qing Dynasty and the Qing Dynasty, and then changes the concept of " Aesthetic understanding of the changes are closely related. In this process of change