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最近,诸多报刊都围绕着某文学杂志刊登的与京剧《沙家浜》同名小说的人物形象塑造展开讨论。文章的观点都一致批评小说作者把人物形象“阿庆嫂”描写成潘金莲类“风流成性、可以令人丧失理智”的女人,都认为其形象与京剧中大智大勇的阿庆嫂大相径庭,令人难以接受。作者歪曲阿庆嫂的形象,是商业炒作的需要还是出于一种对“文革”文艺的反动?我们暂且不论,我们只想从尊重历史、尊重艺术的角度来谈谈老百姓认同什么形象的阿庆嫂。
Recently, many newspapers and magazines around the literary magazine published a Peking opera “Shajiabang” novel of the same name to discuss the formation of characters. The essay’s point of view is unanimously critical of the novel’s author, who portrays the figure image of “A Qing Sao” as Pan Jinlian’s “romantic, rational and irrational” woman, all believing that his image is quite different from that of Peking’s aunt, Unacceptable The author distorts the image of Mrs. A Qing Sao, is the need of commercial speculation or out of a reaction to the “Cultural Revolution” literary and art? We for the time being, we just want to talk about people what image recognition from the perspective of respecting history, respect for art Qing Sao.