香港电影一向充满大男人主义,女性电影寥寥可数,而其中被公认为“最虔诚、用力最深、成绩也最显著”的,便是关锦鹏。他自一九八五年独立执导处女作《女人心》以来,一连七部影片都是女性题材:《地下情》(86)、《胭脂扣》(87)、《人在纽约》(89)、《阮玲玉》 Hong Kong films have always been full of masculine, women’s films are few, and which is recognized as “the most devout, hard-working, most notable achievements,” is Guan Jinpeng. Since his independent debut act, “The Heart of a Woman,” in 1985, he has been filming seven female films about the theme of Underworld (86), Rouge Buttons (87), People in New York (89) “Ruan Ling Yu”