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长期以来,声乐界对我国声乐美学的研究有一种认同:音乐学界对纯音乐的音乐美学的探讨已具有相当深度,可是声乐美学的研究却远不及纯音乐,但近10年来的研究似乎已经有所改观。然而笔者认为,我国的声乐美学研究是经历了从狭隘的纯粹技术层面到宏观的文化层面,并刚刚步入抽象的哲学、美学层面的研究,因而目前的状况仍处于感性大于理性,描述多于分析,介绍多于论述的学术研究“初级阶段”。
For a long time, the vocal music community has a certain recognition of the study of vocal aesthetics in our country. The study of music aesthetics of pure music has a considerable depth in the field of music, but the study of vocal aesthetics is far less than the pure music. However, Change. However, in my opinion, the study of vocal aesthetics in our country has gone from the narrow purely technical level to the macroscopically cultural level and has just entered into the abstract philosophical and aesthetic studies. Therefore, the current situation is still more emotional than rational and more Analysis, introduction of more than the academic research “primary stage ”.