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1983年,中央电视台首次举办春节联欢晚会,推出了喜剧小品《虎妞》与《阿Q逛北京厂甸》,其热烈反响出人意料。次年春节联欢晚会,陈佩斯、朱时茂创作、表演的《吃面条》,进而取得空前的成功。从此,喜剧小品一发而不可收,成为一年一度的春节联欢晚会的台柱节目及电视观众期望值极高的一个文艺节目形式,甚而形成了一股盖过相声的喜剧小品热。喜剧小品自登上春节联欢晚会,成为人们喜闻乐见的一个文艺品种,不觉快满十岁了。喜剧小品多年的创作实践积累了丰富的经验,也潜藏着新的危机。对此,很有必要作个回顾与前瞻,并在理论上进行一番研讨。
In 1983, CCTV held its first Chinese New Year gala, introduced comedy sketch “Tiu Niu” and “Ah Q’s visit to Beijing Zhudian”, and its enthusiastic response was unexpected. The following year the Spring Festival Gala, Pei Chen, Zhu Shimao creation, performance of “noodles”, and then achieved unprecedented success. From then on, comedy sketches came out of hand and became the annual column gala for the Spring Festival Gala and the form of a literary program with high expectations of television viewers. It even formed an over-heated comic novelty. Comedy comedy Pie on the Spring Festival Gala, a loved one people loved the variety, do not feel almost fast ten years old. Comedy Pieces years of creative practice has accumulated rich experience, but also lurk a new crisis. In this regard, it is necessary to make a review and look forward to, and in theory, some discussion.