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《所罗门之歌》是1993年诺贝尔文学奖得主托妮·莫瑞森的一部作品。主人公奶娃在全盘接受白人主流文化中失根,与主动返回黑人文化中寻根是解读这部作品的一个关键所在。作品的结局不是失望的凄怆,而是希望的愉悦,预示着作者的远见卓识,即构建和而不同、同而不和的多元文化和谐共存的生态文化。这种生态文化的角度不仅有助于我们理解这部作品的深层含义,而且对开拓莫瑞森作品研究的新领域,促进生态批评的发展都具有重要意义。
Song of Solomon is a work by Toni Morrison, winner of the 1993 Nobel Prize in Literature. The fact that the heroine’s baby boy lost his roots in the mainstream acceptance of white culture and the initiative to return to black culture is the key to interpreting this work. The outcome of the work is not desolate desolation, but the pleasure of hope, which indicates the author’s foresight, that is, building a harmonious and coexistent ecological culture of harmony, harmony and harmony. This ecological and cultural perspective not only helps us to understand the deeper meaning of this work, but also is of great significance in exploring new areas of Morrison’s work and promoting the development of ecological criticism.