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罗兰·巴特说,摄影的本质是“曾经存在”(the thing has been there)。在面对城市影像的时候,这种过去与现在交织的特殊情绪则更为明显。流变的城市与凝固的影像构成一对相爱相杀的能指和所指,历史文化街区无疑是这场符号情感剧的主要场景。历史文化街区是一个浓缩的现场。对“过去好日子(Good old days)”的想象和缅怀,与对今日生活的热情和批判交织在一起。历史片段的残迹和当下生活消费的需求,使得历史文化街区在这种吊诡的悖论中重塑,
Roland Barthes says the essence of photography is “the thing has been there ”. In the face of the city image, this special emotion that the past is interwoven with the present is even more obvious. The rhetorical city and the solidified image form a pair of devotees and singers, and the historical and cultural block is undoubtedly the main scene of this symbolic emotional drama. The historic district is a concentrated site. The imagination and memory of “Good old days” are intertwined with the passion and criticism of today’s life. The remnants of the historical fragment and the current demand for living consumption make historical and cultural blocks remodel in paradox of paradox.