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沈继光先生苦心孤诣拍摄了约三十年文化碎片,一本《物语三千》,让他成功复活了平民历史。镜头之下的残片,是一个国家的文化标志,也可以成为通向诗意的一条途径,让读者设法构想失去的整体。沈先生用镜头记录物语,还原“物”之本真。当然,“物”自己是会说话的,会表达的,它一定有它自己的生命事件和附在它身上的故事。“物”之本真,并不是传递着非常理想化和浪漫化的过去观,而是源于
Mr. Shen Jiguang painstakingly photographed about thirty years of cultural debris, a “Story of 3000”, so that he successfully revived civilians history. The fragments below the camera are a cultural symbol of a country and can also be a way to poetic ideas that allow readers to try to conceive the lost whole. Mr. Shen recorded the story with the lens, restore “material ” of the real. Of course, “thing ” is himself speaking and expressing, and it must have its own life events and stories attached to it. The truth of “things” does not convey the very idealistic and romantic outlook on the past but from