当传统文化复归并与现代技法激烈碰撞之时,我们为这样一种文化现象所思忖:2004年白先勇的青春版《牡丹亭》一经问世,便在中国大地引起热烈反响,“一曲游园惊梦,再次感天动地”。青春版《牡丹亭》让普通大众接受了一次中国古典艺术的洗礼,唤起了中国人对中国古文明的皈依之情。这把星星之“火”瞬间点燃了中国文艺界对于汤显祖“真堪千古”的昆曲《牡丹亭》的创作之“薪”。随之而来的便是滚滚如潮的“牡丹亭热”…… When traditional culture recovers and fiercely collides with modern techniques, we think of such a cultural phenomenon: when Bai Xianyong’s youth version of The Peony Pavilion came out in 2004, it aroused warm repercussions in the land of China. Dream, heaven again feeling “. The youth version of The Peony Pavilion has given the general public a baptism of Chinese classical art and evoke the Chinese’s conversion to ancient Chinese civilization. This star of the ”fire“ instantly ignited the Chinese literary and arts circles for the Tang Xianzu ”really eternal “ Kunqu Opera ”Peony Pavilion “ creation ”salary “. Followed by the billowing ”Peony Pavilion hot " ......