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《中国内地新时期话剧导演研究》,实际上是一本中国内地新时期话剧的导演艺术史。该书梳理了新时期(1978—2008)中国内地话剧导演的发展历程,在导演艺术研究相对薄弱的今天,具有填补空白的意义;该著具有浓郁的历史意识,不仅体现在对导演史的历时性把握上,还体现在对该时期社会文化现象的共时性省察方面,因而对于上个世纪80年代戏剧观大讨论给予了高度评价;作为一部导演艺术史的专著,该著对于关键的导演人物进行重点研究、总体把握、细密分析,是其重要环节和显著的特色;该著提出了一系列关于导演艺术的重要概念:如“形象种子”“舞台意象”“评价意识”“假定性”“演出结构”等,在舞台文本研究领域走出了一条属于自己的学术路径。
“The Study of the Drama Director in the Mainland China in the New Era” is actually a director’s art history in the drama of the new era in mainland China. The book sorts out the development of the director of drama in the Mainland during the new period (1978-2008), which has the meaning of filling in the gaps in the relatively weak research of director’s art. The book has a strong historical consciousness, not only reflected in the history of the director Sexual grasp, but also reflected in the period of social and cultural phenomenon of the common-sense, so for the 1980s drama concept discussion spoke highly of; as a director’s art history monograph, the key to the It is an important link and significant feature that the director’s figures are mainly studied, grasped and analyzed in detail. This book presents a series of important concepts about the director’s art: the evaluation of “image seed” and “stage image” Consciousness “” hypothetical “” performance structure ", etc., in the field of stage text study out of a own academic path.