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洞窟壁画的形成有一定的历史背景,洞窟艺术取材于佛教故事,是泊来的印度艺术与中国艺术精华的结晶。这些壁画从美学创作上体现了宏伟和谐的格调和不朽的民族风格,是研究中国古代壁画美学装饰特征的珍贵资料。本文从洞窟壁画天然矿物颜料的装饰性、壁画用线的程式化的形式美以及壁画与空间结合的高度统一来分析古代洞窟壁画装饰风格。同时也为修复古代洞窟壁画提供了可参考的美学依据。
The formation of cave murals has a certain historical background. The cave art is based on Buddhist stories and is the crystallization of the Indian art and the Chinese art essence. These murals reflect the magnificent and harmonious style and the immortal national style from the aesthetic creation. They are precious materials for studying the aesthetic decorative features of the ancient Chinese murals. This article analyzes the decorative style of ancient cave murals from the decorative nature of natural mineral pigments in cave murals, the stylized beauty of frescoes with lines, and the high degree of unification of murals and spaces. At the same time, it also provides a reference to aesthetics for the restoration of ancient cave murals.