本文关切于曾展开激烈艺术论争的“广东国画研究会”和“岭南画派”两大阵营在对清末岭南花鸟画坛巨擎居巢、居廉(时称“二居”)的艺术整体认同与推崇中,以不同艺术视角和价值取向,进一步揭示“岭南画派”代表人物高剑父基于此而推行的艺术传播策略。 This article is concerned with the two factions of the “Guangdong National Painting Research Society” and the “Lingnan Painting School” that once launched the fierce art debates. In the late Qing Dynasty, ) Of the arts as a whole recognition and respected, with different artistic perspective and value orientation, to further reveal “Lingnan School” representative Gao Jian-fu based on this art communication strategy.