应天齐的西递村版画系列是黄梅戏《徽州女人》创作的诱发剂。最近应天齐艺术展和黄梅戏《徽州女人》同时在北京开幕,引发了理论界的兴趣。我在思考为什么应天齐的版画创作能够介入戏曲。看了应天齐的作品展之后,我找到了答案。应大齐的版画从总体来说,主观性是非常强的,这是一个前提。但是在这个基点之上,我们又看到他的发展和变化,即他的主观性介入的日益强烈。画展的三部分,恰好表现出他的这种发展和变化的 Ying Tian Qi Xidi Village prints series is Huangmei opera “Huizhou woman” creation of inducing agent. Recently, Tian Qi Art Exhibition and Huangmei Opera “Huizhou Woman” opened simultaneously in Beijing, arousing the interest of theorists. I was thinking why Ying Tianqi’s printmaking was able to intervene in the opera. After reading the works of Ying Tian Qi, I found the answer. It is a prerequisite that the prints of Ying Tai should be very strong on the whole. But above this basic point, we also see his development and change, that is, his subjectivity is getting stronger day by day. The three parts of the exhibition show just such developments and changes