厚实的地域文化传统和浓郁的风土人情一旦落入画家的视野,便生成了陕西水墨笔墨语言茂密葱郁、画面内容实实在在的“西北风仪”。 相比起陕西其他画家风格相对稳定的情况,王炎林在艺术上则是不断的更新演变。人到中年,本来容易信守自己某些已经定型成熟的东西,但王炎林的艺术心态依然年轻,总是不满足自己已有的艺术认识和趋于熟练的笔墨技巧,他的画风在近些年仍然有不断变化甚至突变的迹象,相比起来陕西其他画家较明显的“写实性”倾向,王炎林的绘画越来越趋于“意象性”。实际上,他的画在几年前就已有基本“定型”的面貌,他以油画出身,进而转入水墨,在艺术积累中广采西北民间文化和艺术形式,将水墨与色彩融合,形成了艺术想象奇诡丰富、笔墨语言自由酣畅、无拘无束的个人面貌。现 The rich geographical and cultural traditions and rich local customs and practices once they fall into the field of vision of the painter, the result is a “Northwestern Wind Instrument” with rich and lush language in ink, ink and ink in Shaanxi. Compared to other Shaanxi artists relatively stable style, Wang Yanlin in the art is constantly updated evolution. Middle-aged people, could easily keep some of their stereotypes mature things, but Wang Yanlin artistic mentality is still young, always do not meet their own artistic understanding and tend to be skilled brush and ink skills, his style in the recent There are still some signs of constant changes or even abrupt changes. Compared with the obvious “realistic” tendency of other Shaanxi artists, Wang Yanlin’s paintings tend to be “imaginative” more and more. In fact, his painting had been basically “stereotyped” a few years ago. He began his career as an oil painting artist and later turned into ink and wash painting. Northwest folk culture and art forms are widely adopted in the accumulation of art, and ink and color are merged to form Art strange imagination rich, pen and ink free hearty, unrestrained personal appearance. Now