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一场圆满的演出中完善而优美的舞台返听是必不可少的,返听的重要性在演出中丝毫不亚于面对观众的主声道。 调试好舞台返听与主声道的不同之处在于:主声道的音响效果完全凭借音响师的主观感受;音响师的艺术修养决定主声道音响效果的好坏,而返听声道更主要的是要音响师去考虑演出人员的感受,要依照演出人员的要求去调试音响。所以要调好返听的首要条件就是要了解演出人员的感受与要求,因此音响师不仅要下台去听听场子里的效果,更重要的是在排练的时候要经常站在每个乐手的演奏位置去听听,去实际感受一下乐手的感觉,这样才能知道乐手的要求是什么,怎样才能满足他们的要求。这样才可能一起配合搞好一场演出。
The perfect and graceful stage retreat in a successful performance is essential, and the importance of retreat is as much a performance as the main channel of the audience. Debugging the stage back to listen to the main channel with the difference is that: the main channel sound effects entirely by the subjective audio engineer’s sense of the art of acoustic teacher decided the main channel sound quality is good and the soundtrack back more The main thing is to sound engineer to consider the performance of the staff, according to the requirements of the performers to debug sound. Therefore, the first condition to be adjusted is to understand the performance of the staff’s feelings and requirements, the sound engineer not only to step down to listen to the effect of field, more importantly, rehearsal time to always stand in the hands of each player Play position to listen to the actual feeling of musicians feel, so as to know what the musician’s request is, how to meet their requirements. This is possible to work together to improve a performance.