近来淘得晚清一才女工笔画一幅,画的水准虽不能入一流丹青高手之列,但也足以为今人研习工笔之范本了。而尤其是赏其画读其诗,更别有一番兴味。此画为绢本,品相方面,因绢面的右方稍有残破,但未伤及画面、落款和钤印处,约为九品吧。画的内容大概是月季之类,此画画风虽属传统,但初看之时还不能肯定其是否为晚清之作,直至由落款处文字和印章引发的一阵信息关联大搜索之后,方可作初步定位:应出自晚清才女彭若梅的手笔。落款处是这样写的:“壬寅年七月写赠葵娥二姊姊指政翥山鹤俦作于梁溪客次。”落款名章为“若梅”。 Amoy late late Qing Dynasty female artist strokes a painting, although the level of painting can not be among the best Dancing Experts, but also enough for today’s study of a model of the. In particular, enjoy its paintings to read their poems, but also do not have some interesting. This painting is a silk, the product phase, because the right side of the silk screen slightly broken, but did not hurt the screen, inscriptions and imprint Office, about nine products. The contents of the painting are probably the same as the rose, which is a traditional style of painting. However, at first glance, it is still not certain whether it is a late Qing dynasty or not. After a large search is triggered by a series of messages triggered by inscriptions and seals on the inscriptions Can be used for preliminary positioning: should be from late Qing Dynasty talented Penrose’s handwriting. The inscriptions are written like this: “Renyin wrote in July that the second sister-in-law of Kwai-ei refers to Liang-chieh-tsang, the chief executive of the government.”