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美术“现代化”在西方的确立,是同康德的先验论、黑格尔的绝对理性和叔本华、尼采等人的哲学思想以及弗洛伊德的精神分析学说的影响分不开的。受到以上哲学思想的影响,“绘画不作自然、文学和历史的奴仆”,绘画“应该追求形式语言的独立价值”等观点逐渐确立起来,这些主张的提出都说明美术创作开始摆脱现实生活的模仿和再现,而转向表现画家内心的“自由意识”。“自由意识”的萌动,使
The establishment of art “modernization” in the West is inseparable from the transcendentalism of Kant, Hegel’s absolute rationality and the influence of Schopenhauer, Nietzsche and others’ philosophical thoughts and Freud’s psychoanalytic theory. Influenced by the above philosophical thoughts, “the painting is not a slave to nature, literature and history” and the idea that painting should pursue the independent value of formal language are gradually established. The propositions of these propositions all point out that art creation begins to get rid of the imitation of real life Reproduction, and turn to show the painter’s “free consciousness.” The “free consciousness” germinates