编者按:女性电影,粗略地说,就是以女性的立场反映她们的生活、情感和愿望,表现她们的喜怒哀乐,突出她们的主体意识的电影。当前,由于建立在男权社会和文化之上一些观念还没有彻底消失,以及男女性别差异的天然存在,女性电影作为电影的一类特殊形态,其独特的视角往往使其不仅成为人们茶余饭后的谈资,更成为电影学术界讨论的热点。本期遴选五篇关于女性电影的评论文章,它们从不同角度,通过对具体电影文本的分析,提出了自己的一些独到见解。从中,我们或许也能获得某些启示。 Editor’s note: Women’s films, roughly speaking, are films that reflect their life, emotions and aspirations from the standpoint of women, show their emotions, highlight their subjectivity. At present, due to the fact that some of the concepts based on the patriarchal society and culture have not disappeared completely and the natural existence of gender differences in women and men, the unique perspective of the female film, as a movie, often makes it not only become a talk of gossip , Has become a hot discussion in movie academia. This issue selects five review articles about female films, and from different perspectives, they present their own unique insights through the analysis of specific movie texts. From there, we may also get some inspiration.