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在山水画中,点法的功能与作用有很多。如造型表物功能以及记录情绪的功能。《历代名画记》记载张僧繇画四白龙于金陵安东寺壁,两龙点睛则乘云腾飞,未点睛者见在。这段话的记载,意在说明张僧繇画艺的高超,也写出了“点”的作用。潘天寿说:“画事用笔,不外乎点线面三者,然线实由点连接而成,面也由点扩而得,所谓积点成线,积点成面是也”。石涛说:“一画者,众有之本,万象之根。”中国绘画以线为基础,点为一画之根本。由此可见点在中国画中的重要性。
In landscape painting, the function and function of the point method are many. Such as the shape of the table features and record the emotional function. “Historical Paintings in mind,” records Zhang Seng painting four white dragon in the wall of Andong Temple in Jinling, Dragon Eye is taking the cloud soar, eye contact see. The record of this passage is intended to illustrate the superb artistry of Zhang Seng painting, also wrote the role of “point ”. Pan Tianshou said: “Paintings with a pen, nothing more than point-line surface three, then the line is actually connected by the point, the surface is also derived from the point expansion, the so-called plot point into the line, ”. Shi Tao said: “A painter, a source of all, a root of Vientiane.” "Chinese painting is based on lines and points are the basis of a painting. This shows that the point in the importance of Chinese painting.