时光如梭,感慨良多。从上个世纪八十年代中期开始,我就在《中国钢笔书法》杂志社担任编辑部主任,与众位编辑同仁一起甘作人梯、默默工作,埋首于编辑策划工作整整十年。后来因工作需要,调到西泠印社从事艺术类图书的编辑出版工作,但仍然关注着《中国钢笔书法》的发展,关注着中国硬笔书法的前进步伐。中国硬笔书法崛起于上个世纪八十年代,《中国钢笔书法》杂志作为“中”字号文化艺术核心刊物和硬笔书法刊物的“大哥大”,曾经一度拥有40万的发行量和数以千万计的读者群。但进入新千年后,由于电脑的迅速推广应用,毛笔书法的势头威猛,使得中国硬笔书坛的这本权威杂志承载着巨大的压力。特别是随着近几年艺术市场的逐渐庞大和艺术专业性的 Time flies, feeling a lot. Since the middle of the eighties of last century, I was the editorial department director of “China Pen Calligraphy” magazine. With my colleagues in editing, I worked as a human ladder, worked silently and devoted myself to editing and planning work for a full decade. Later, due to work needs, transferred to the Xiling Yinshe agency engaged in the editing and publishing of art books, but still concerned about the “Chinese pen calligraphy” development, focusing on the progress of China’s hard pen calligraphy. Chinese hard-pen calligraphy emerged in the 1980s. As one of the “big brother” of the “Central China” cultural and art core publication and hard-pen calligraphy publication, China Pen Calligraphy once had 400,000 circulation and tens of millions Readership group. However, after entering the new millennium, due to the rapid popularization and application of computers, the momentum of writing brush calligraphy has made the authoritative magazine of China hard pen and calligraphy carry tremendous pressure. Especially with the gradual growth of the art market in recent years and artistic professionalism