笔者是一位普通的杂技教练,二十多年来的演员生涯和教练经历,让我对当今的杂技教育问题有了一些基本看法,萌生了一些不吐不快的感觉,但究竟是对是错,笔者尚不敢定论,也许这本身就是一个仁者见仁、智者见智的事情。因此,本文的一些思考仅作为抛砖之言,希望更多同行参与讨论。一、中国杂技教育的现状中国的杂技教育,从杂技诞生之日便已开始,不管古代中国把杂技叫角抵也好,叫百戏也好,叫杂耍也好, The author is an ordinary acrobatic coach. For more than two decades of his career as an actor and coach, I have had some basic ideas about the current problems in acrobatics education. Some of my feelings are not spat out, but what is right or wrong? , I still dare not conclusive, perhaps in itself is a benevolent kindness, wisdom see things. Therefore, some of this article is only used as a throwback, I hope more colleagues involved in the discussion. First, the status quo of China’s acrobatics education China’s acrobatics education, has started from the date of the birth of acrobatics, regardless of ancient China call acrobatics corner angle Ye Hao, called Hundred Opera Ye Hao, juggling Ye Hao,