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生态美学逐步成为文艺界研究的热点话题,影视行业也不例外。而老庄生态美学是东方美学的代表,标识着文化差异、东方符号与身份立场。它与西方文化相比照,在心理、精神层面愈来愈有现代价值。基于笔者的兴趣与专业需求,本文从老庄的生态美学思想出发,将影视作品《奇幻森林》作为切入点,进行个案分析,基于自然与人的关系,从“万物霜天竞自由的自然生态美”、“个性与共性并蓄的和谐生态美”以及“以德报德、超人类化的伦理生态美”这三个层面,浅析西方外皮下的《奇幻森林》中所蕴含的东方美。
Ecological aesthetics has gradually become a hot topic in the field of literature and art, the film industry is no exception. Laozhuang’s ecological aesthetics is the representative of oriental aesthetics, which identifies cultural differences, oriental symbols and identity. Compared with the western culture, it has more and more modern values in the psychological and spiritual aspects. Based on the author’s interest and professional needs, starting from Lao-Zhuang’s ecological aesthetics, this paper takes the film and television “Fantasy Forest” as an entry point and conducts a case analysis. Based on the relationship between nature and human beings, Beauty “,” harmonious beauty of personality and commonality “and” ethics ecological beauty of ultrahumanization “, and” morality ecology beauty of ultrahumanization " Contains the Oriental beauty.