自从作家的想象视界从荒原、墓地再次启程的那一刻,关于时间与空间的魔幻艺术似乎引导着我们的文学世界在无限抵达荒诞虚妄之际,又无限接近本质的真实。文本内的时间从线性单一走向循环往复,空间从界限分明走向交叉颠倒,主观与客观混合交融,对比现实,镜像、幻觉、梦境几乎包含同样丰富而真实的维度,但也同样不可靠。我们在所有一切的两极之间摇摆不断,丢失确指的世界及意义,终其一生忍受精神中无法逃离的荒寒。而当我们求助于那个无比巨 The magical art of space and time seems to lead our world of literature to come to an infinitely near-absurd truth when it comes to the imagination of the writer again from the wilderness and cemetery. The time in the text goes from linear to single, and the space goes from the clear boundaries to the criss-cross. The mixture of subjective and objective reality contrasts reality, mirror image, hallucination and dreamscape with almost the same rich and true dimension but equally unreliable. We waver between all poles, lose the definitive world and its meaning, and endure the unforgiving coldness in our lives. And when we turn to that immense giant