论文部分内容阅读
今年《剧本》五月号在“戏剧创作与开放改革”专栏中,发表了三篇文章:王仁杰先生的“苦恼”、周传家先生的“思考”、徐恒进先生的“反省”。三位笔者均是戏剧界甚有名气之士,文章读后令人有新启发,更有感触。三篇文章虽然角度不同,观点有异,但用意是一致的,都想唤起大家的热情和信心。作为戏剧界一卒,使我情不自禁地想吐吐己见。落花流水春去也经济大潮当头盖下,戏剧队伍被冲得天翻地覆,有的落荒而逃,有的随波逐流,有的沉溺水底,有的拼命挣扎。于是乎悲伤、失望、忧愁、
In the column entitled “Drama Creation and Opening Reform”, this year’s “Script” May issue has published three articles: Mr. Wang Renjie’s Distress, Mr. Zhou Chuan-jia’s Thinking, and Mr. Xu Hengjin’s Reflection. The three writers are well-known actors in the theater industry. After reading the essay, there is a new inspiration and feeling. Although the three articles have different perspectives and different perspectives, their intentions are consistent and they all want to arouse the enthusiasm and confidence of everyone. As a drama, I can not help but vomit myself. In the spring, the flow of flowers is also under the tide of economic tide. The drama team was rushed to the ground, some fled, and some drift, some drowning underwater, and some desperate struggle. Ever since sad, disappointed, sad,