最近中央文化部在北京举办了现代题材戏曲联合公演,参加者来自闽剧、沪剧、豫剧等九个剧种,演出节目主要是反映社会主义时代生活和歌颂新的英雄人物的。这些节目大都在各地演出中得到了群众的拥护,也同样受到北京观众的欢迎。演出的成功不仅由于政治上的原因,同时也由于艺术上有许多新的创造。这里只就音乐方面谈谈个人的一些观感。戏曲表现现代生活,在很大程度上决定于它的音乐。在这方面,过去的工作并不是一帆风顺的。解放初期,许多戏曲剧团演出了大量新戏,但在音乐上往往是原封不动地搬用新歌剧曲调——如“兄妹开荒”、“白毛女”等,或者是生硬地套用本剧种的老曲调:结果在完成了一个时期的宣传任务以后,并没有很多保留节目流传下来。1952年全国戏曲会演以后大批新 Recently, the Central Committee of the Communist Party of China held a joint performance of modern theatrical performances in Beijing. The participants came from nine operas such as Minth, Shanghai and Henan operas. The performances mainly reflect the life in the socialist era and the praise of new heroes. Most of these shows have gained the support of the people in various performances and have also been well received by Beijing audiences. The success of the show not only because of political reasons, but also because of the many new artistic creation. Here only to talk about the personal aspects of music personal feelings. Opera performance of modern life, largely determined by its music. In this respect, the past work has not always been easy. In the early period of the liberation, many theatrical troupes performed a lot of new plays, but in the music, they often used the new opera tunes - such as “sibling pioneers”, “white-haired girls”, etc., or used them harder The old tune of the show: the result was not a lot of reservations after the completion of a period of propaganda mission. 1952 National drama will be a large number of new after the show