“这个世界会好吗?”展出之后,几乎所有媒体都不约而同地用“马”这个形象来报道展览。展览上,这匹“马”被刻画得十分忧郁、悲伤,有着哲学家一般存在主义式怀疑和审视的目光。尽管对这匹瘦削却目光矍铄的马的刻画是神来之笔,但当所有目光都过于投向这匹马时,整个展览的意义就被忽视了。粗略地划分一下,这个展览被一块高近十米的暗红的绒布分隔成两个相对独立的空间。而且,显然主 “After the show, almost all the media are invariably to use ” horse “this image to cover the exhibition. The exhibition, this horse ”horse " was portrayed very gloomy, sad, with philosophers generally existential skepticism and look at the eyes. Although the portrayal of this thin, sighted gaze horse is a godsend, the significance of the entire exhibition is overlooked when all eyes are on the horse. Roughly divided, the exhibition is divided into two relatively independent spaces by a dark red fleece nearly ten meters high. And, obviously, the Lord