书法创新难,隶书创新尤难。为什么?因为隶书和楷书一样,是一种比较规范的书体。自汉至清两千年间,在其诞生、演化、发展的历程中,前贤穷研细究,以多彩斑斓的风格一次次将隶书推向巅峰,再实现新的跨跃谈何容易!然而,就是在这难上加难的领域,王祥之历50个寒暑,穿百砚,秃万笔,锲而不舍,在中国书坛上悄悄地发动了一场新的隶变,终以“祥隶”的诞生,铸就隶书这一古老书体 Calligraphy innovation hard, official book innovation more difficult. Why? Because official script and regular script, as a more standardized book body. From the Han to Qing dynasties two thousand years, in its birth, evolution and development of the course, the predecessors studied poorly and repeatedly, in colorful style again and again to the official script to the pinnacle, and then to achieve a new leap forward how easy! However, is here Hardships in the field, Wang Xiang’s 50 calendar years, wearing Bai Yan, baldness, perseverance, quietly launched a new Lihua in the Chinese calligraphy, eventually “Xiang Li” was born , Cast the ancient book scriptures