在国际艺术品市场上,拍卖公司与画廊是分工明确的,前者专职于少量精品的艺术品交易,后者则负责日常交易。然而在中国.特别是国画画廊的整体运作水平还停留在初级阶段.并没有发挥出“发掘新人”、“培养收藏群体”的基本职能.其直接结果导致了越来越多的画家在没有经过一级市场培育成熟前,就闯进二级市场处处碰壁的局面。 In the international art market, auction companies and galleries have a well-defined division of labor, the former specializing in a small number of fine art transactions, the latter is responsible for daily transactions. However, the overall operation level of China, especially the traditional Chinese painting galleries, is still at an early stage and has not played its basic function of “discovering new people” and “cultivating colony.” Its direct result has led to an increasing number of The painter broke into the secondary market and ran into a wall before it matured and matured in the primary market.