论文部分内容阅读
吉剧在花冠与嘡嗒交错的道路上,踉踉跄跄地走过了三十年。这跨过四个年代的岁月并不算短,可它仍做为一个新兴剧种被苦心经营着,以维持门庭冷落的局面。的确,做为摇篮艺术的吉剧,还没有等它走向成熟,就无法躲避地扑迎了戏曲危机的风潮,使其颠踬不前。于是人们也象考察其它失落的艺术一样,寻找其失落的原因,并在实践上进行从内容到形式的全面探索。这虽然对吉剧建设起了一定的推动作用,但吉剧仍是跬步而行。那么,我们不禁要问:吉
Ji opera in the corolla and dashed staggered on the road, staggered thirty years. This span of four generations of years is not short, but it is still a new opera is painstakingly managed to maintain the deserted situation. Indeed, as a cradle of craze art Ji drama, have not waited for it to mature, they can not evade the landowners welcome the crisis of the drama, so that the downturn. As a result, people looked for other causes of their loss as well as investigated other lost art, and conducted a full-scale exploration from content to form in practice. Although this plays a certain role in promoting the construction of the Ji opera, the Ji opera is still a step by step. Well, we can not help but ask: Kyrgyzstan