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当今的国际摄影界,大师比恐龙还少,人们对“大师”的认识,越来越依赖转述与传说,因此大师们往往被弄得很崇高、很神化、很纯粹、很抽象,尽管他们可能是如你我一般从胡乱按快门开始摄影生涯的俗人。这种“俗”还包括:爱钱、撒谎、偷情、感叹时运不济、抱怨没有人买自己的照片、攻击同行、喜欢名牌、拿死者开玩笑、大吐脏字……总之,人所具有的他们无不具有。在《相机的另一边》(On the Other Side of the Camera)中,作者阿诺德·克兰
In today’s world of photography, there are fewer masters than dinosaurs. People’s understanding of “masters ” is increasingly dependent on renditions and legends, so the masters are often very lofty, deified, very pure and abstract They may be, for example, you and I, who start their career as a cousin of photography. This “vulgar ” also includes: love money, lying, stolen love, sigh bad fortune, complain that no one buy their own photos, attack peers, like brand names, take the deceased joking, dirty words dirty ... In short, people have They all have. In On the Other Side of the Camera, author Arnold Cran