鲜于枢是元代最重要的书法家之一。元代僧人、诗人善住在其《谷响集》中对鲜于枢的书法成就评价颇高,认为是“千载不须叹寂寞,已留遗墨偏炎方。”①与善住和尚交游极为密切的学者、诗人虞集也把鲜于枢与赵孟頫并称:“敛风沙裘剑之豪,为湖山图史之乐;翰墨轶米薛而有余,风流拟晋宋而无作。是以吴兴公运画沙之锥,刻希世之玉,使千载之具眼,识二妙于遐邈”。②同辈友人赵孟頫十分推崇鲜于枢的书法,自谓“仆与伯机同学书,伯机过仆远甚,仆极力追之而不能及。”③明代陆深更是把鲜于枢放在了元代书法巨擘的地位 Xian Yu Shu is one of the most important calligraphers in the Yuan Dynasty. In the Yuan Dynasty, the monks and poets were good at evaluating their calligraphy achievements in the Valley of the Valley, saying that they should not be lonely, Extremely close exchange scholars, the poet Yu Ji also less fresh in the pivot and Zhao Mengfu and said: “convergence of wind and Qiu Jian Hao, Hushan map history of music; John Mo Yi Xue and more, Merry proposed Jin song without. Cone of sand painting the public carved jade world, so that thousands of eyes, know two wonderful in ya ”. ② peers peer Zhao Mengtu very respected calligraphy in the pivot, since that “servant and primary school classmate, the primary machine too far, servant strongly chase and can not and.” ③ Ming Lu Lu is more than in the pivot Yuan Dynasty calligrapher status