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电影《香水》的开场便是18世纪巴黎街市上的景象,彼时的香都弥漫着难以想象的恶臭。巴蒂斯特·格雷诺耶就出生在鱼摊旁,他矮小、丑陋,身上没有任何气味。除了这一缺陷,格雷诺耶还拥有常人不及的嗅觉和毫无情感的头脑,他用尽一生不断地杀戮只为获取完美的香气。最后在万人纵欲的刑场上,格雷诺耶冷漠地离去使本片成为一个寓言。在1982年出版的《纪念巴黎市政厅重建100周年》里,作者从方方面面介绍了这座雄伟的建筑,甚至对暖气、照明、电话、电梯都作了细致的介绍,唯独对卫生设施只字未提。《香水》这部电影其实就是18世纪欧洲文明的复杂历史缩影,香水研制工作室就像一个化学家实验室,蒸馏和萃取也是化学研究的基本方法。然而这却诋毁了古老的神性、天主教的教
The opening of the movie “Perfume” is a scene of a Parisian market in the 18th century, when the fragrance of incense filled with unimaginable stench. Baptiste Greynay was born next to a fish stand, his short, ugly, and without any smell. In addition to this flaw, Grenoyo also has a common sense of smell and emotionless mind, he exhausted his life to kill only for the perfect aroma. Finally, in the million people indulgence on the execution ground, Gregory Yeah leave indifferent to make the film an allegory. In his 1982 book, “Commemorating the 100th Anniversary of the Reformation of the City Hall in Paris,” the author introduced the majestic architecture in all its aspects and even gave a detailed introduction to heating, lighting, telephones and elevators, except for the word sanitation Not mentioned. “Perfume” The film is actually a microcosm of the complex history of European civilization in the 18th century. A perfume research studio is like a chemist’s laboratory. Distillation and extraction are also basic methods of chemical research. However, this discredit the ancient divinity and Catholic teaching