一绘画复制在博物馆工作系列中占有重要地位。绘画复制的目的是用复制品代替原件展出,是一种对文物间接的保护。谈到复制唐代已经为我们开了先河。书圣王羲之书法基本是唐代复制品,历代仍然将其作为临习范本,甚至奉为圭臬。许多古旧书画作品,很多是前人复制品保存至今,原件早已荡然无存了。就绘画而言,我们今天所能看到是以晋代顾恺之为代表的历代画家作品,这些绘画都有几百上千年历史,所用材料基本是纸张或丝 A copy of the painting occupies an important place in the museum’s work series. The purpose of painting is to copy the original display instead of the original, is an indirect protection of cultural relics. When it comes to copying the Tang Dynasty, it has already opened the door for us. Book of calligraphy Wang Xizhi basic calligraphy is a replica of the Tang Dynasty, the ancient will still be as a template for the practice, or even as a standard. Many old calligraphy and painting works, many of them are copies of predecessors so far, the original long gone. In terms of painting, what we can see today is the works of ancient painters represented by Gu Kai in the Jin Dynasty. These paintings all have hundreds of thousands of years of history. The materials used are basically paper or silk