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冷战时期,因为独特的殖民地身份,香港成为了多元意识形态的重要场域。在新中国对港政策主导下,20世纪50年代初香港进步电影机构“长城”、“凤凰”、“新联”陆续成立,其后发展遭遇了来自台湾、美国和香港殖民当局等多重阻力。“长凤新”的发展策略独具一格,包括国、粤语电影并行的整体策略,大公司与独立制片相结合、积极拓展发行和影院建设的商业策略,社会写实和伦理表达为重点、核心导演引领潮流的艺术策略。“文革”前香港进步电影发展态势良好,后因极左思潮冲击陷入困境。检视历史,错误的电影指导方针,意识形态诉求与艺术、商业难以和谐等因素值得深省。
Because of its unique colonial status during the Cold War, Hong Kong became an important field for plural ideology. Under the guidance of New China’s policy toward Hong Kong, Hong Kong progressive film organizations, “The Great Wall”, “Phoenix” and “Xin Lian” have been established one after another in the early 1950s. Subsequently, development has come from Taiwan, the United States and Hong Kong Colonial authorities and other multiple resistance. “Changfeng New ” unique development strategy, including the national and Cantonese films parallel overall strategy, large companies and independent producers combined to actively expand distribution and theater construction business strategy, social reality and ethical expression as Focus, core director lead the trend of art strategy. Before the “Cultural Revolution” Hong Kong progressive film development in good shape, because of extreme leftist impact struggled. Factors such as viewing history, wrong movie guidelines, ideological appeals and artistic and commercial hardship are all worth pondering.