“中国当代文学”,从文化、语言、民族的统一性来考察,应由三个“板块”构成:大陆文学、台湾文学、香港与澳门文学。这正与抗日战争时期“中国现代文学”的三个“板块”相续接。近年来有三种研究倾向不利于把握“当代文学”的根本特征与历史定位,研究失去了历史感。“当代文学”这一文学时段,是五四启蒙精神与五四新文学传统从消解到复归、文学现代化进程从阻断到续接的一个文学时段,文学史在这里走了一条“之”字形的路。 According to the unity of culture, language and nation, “Chinese contemporary literature” should be composed of three “plates”: Chinese literature, Taiwanese literature, Hong Kong and Macao literature. This is followed by the three “plates” of “Chinese modern literature” during the War of Resistance Against Japanese Aggression. In recent years, three kinds of research tendencies are not conducive to grasping the fundamental characteristics and historical orientation of “contemporary literature,” and the study loses its sense of history. The literary period of “contemporary literature” is a literary period during which the May Fourth Enlightenment Spirit and the May Fourth new literary tradition broke down from the dissolution to the reintegration, and the process of the modernization of literature turned from interruption to continuity. The literary history took a “zigzag” here The road.