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在包豪斯设计学校创建的时候,还没有什么风景园林学校。典型的现代主义建筑中的景观部分,很少显露出有超越一般化植树种花方式的的迹象。事实上,景观设计师自己也提不出有说服力的现代主义景观的轮廓来。在过去的20年里,人们曾一再主张把景观学放在建筑设计的重要位置上来考虑。然而,在现代设计中一直占统治地位的审美价值观,却已发生了很大的变化。后现代主义的产生,使诸如讽刺、隐喻、趣味、分裂、无关联排序、历史相对论等,都成了可允许的东西。伴随着这种变化而来的是,景观师将可以从绘画、雕塑、建筑学和环境艺术等其他学科中获得教益和提升,使景观设计发展成为一种多元化的设计,新景观学因而从多样化的资源中脱颖而出。从某种意义上讲,新景观学的审美高度已凌驾于建筑设计之上。
When the Bauhaus Design School was founded, there was no landscape school. The landscape parts of a typical modernist building rarely show signs of transcending the general method of planting trees. In fact, landscape architects themselves are unable to outline the convincing modernist landscape. In the past 20 years, people have repeatedly advocated that landscape architecture should be considered as an important part of architectural design. However, the aesthetic values that have always dominated modern design have undergone great changes. The emergence of post-modernism has made things such as satire, metaphor, interest, disintegration, unrelated ordering, and historical relativity an allowable thing. Along with this change, landscape architects will be able to learn and promote from other disciplines such as painting, sculpture, architecture, and environmental art, so that landscape design will develop into a diversified design. Diversified resources stand out. In a sense, the aesthetic height of the new landscape architecture has surpassed architectural design.