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庄子和本雅明都肯定了寓言作为观察和理解世界的认识模式所具有的重要意义,但庄子和本雅明的寓言理论是有很大差异的。庄子的寓言理论是人生审美、道德伦理境界的理论,其价值功能多是劝喻性的。作为诗性智慧的庄子寓言观,凸显寓言形态作为一个有机整体所形成的审美意象结构。本雅明通过对现实世界的物质废墟、零散碎片等生活形式进行寓言化的解读,试图表征和发现破碎世界的真理面相,以此拯救和重建人与经验世界的有机连续性和价值意义。本雅明的寓言理论是强调语言概念知性功能的理论智慧。庄子和本雅明的寓言理论是从古典与现代性的不同视野对中西方悲剧现实的历史进行反思和理论升华,两者思想都对东西方历史文化发展产生了深远影响。
Both Chuang Tzu and Benjamin affirmed the significance of allegory as a mode of understanding and understanding of the world, but the allegory theories of Zhuangzi and Benjamin are quite different. Zhuangzi’s allegory theory is the theory of life’s aesthetic and ethical realm, and its value function is mostly advisory. Zhuangzi’s fable view as poetic wisdom highlights the aesthetic imagery formed by the allegory as an organic whole. Benjamin attempts to represent and discover the truth of the broken world through allegorical interpretation of the real world, such as the material ruins, fragments and other life forms, in order to save and rebuild the organic continuity and value of the world of man and experience. Benjamin’s allegory theory is the theoretical wisdom that emphasizes the intellectual function of linguistic concepts. Zhuangzi and Benjamin’s allegory theory is a reflection and theoretical distillation of the history of the tragedies of both China and the West from the different perspectives of the classical and the modern. Both of them have a profound impact on the historical and cultural development of the East and the West.