作为中国民乐一流演奏家的大本营,中央民族乐团这些年不得不在一种困惑中接受这个时代的绞痛。代表民族文化精神的民乐,反倒不像西方音乐那样在舞台上有底气,在观众中有人缘。似乎不少中国人憋着气要跟自己的祖宗的东西切割,沾染民乐仿佛就意味着保守和土气。不管我们可以找到多少理由对这种风潮进行批评甚至表达不屑,作为一个演出团体,作为国家级的民族音乐的继承和传播平台,中央民族乐团都应该去做点什么,不是一般地去做一些努力,而是要站在整个时代发 As the hometown of Chinese folk music performers, the Central China National Orchestra has had to accept the anguish of this era in a kind of confusion over the years. On behalf of the national culture of folk music, on the contrary, unlike Western music on the stage have the confidence, there are popular in the audience. It seems that many Chinese are simmering with their own ancestors to cut things, contaminated folk music seems to mean conservative and rustic. No matter how many reasons we can find to criticize or even express disdain for this trend, as a performance group, as a platform for the succession and dissemination of national music at the national level, the Central Chinese National Orchestra should do something rather than do some general efforts , But to stand in the whole era