In her autobiographical novel The Woman Warrior, Kingston created a few images of Chinese women, and deconstructed the story of Fa Mu Lan and Ts'ai Yen in order to show the women's silence and the struggle for the discourse power. The author believes that even if No Name Woman and Moon Orchid are in a state of silence, through the depiction of their fate, the reading experience Kingston brings to the readers certainly became a sword that break the silence. The two characters in a sense can also be regarded as women warriors fight for women's voice.