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即使巴赫的其它的作品都没听过,只听到过《恰空》,也能使你感到巴赫的伟大——持这种观点的评论家和音乐鉴赏家绝非少数。巴赫用没有伴奏的一支小提琴,竟能塑造成如此伟大的形象!几百年来在音乐文化的历史上,它像一支巨幅雕像矗立在人们的心中,经久不衰地感染着人们,这不能不说是一个奇迹。它是一首由古老的舞曲《恰空》为主题,经过了三十二个“漫长的”变奏写成的提琴独奏曲。《恰空》舞曲在节奏上和大家熟知的通常的三拍子音乐不一样,它的重拍不是在头一拍上,而是在第二拍上。它是以附点的音型写成的。
Even if Bach’s other works have not heard of, just heard “Qiaokong”, but also make you feel Bach’s great - this view of critics and music connoisseurs by no means a minority. Bach used a violin without accompaniment to create such a great image! For hundreds of years in the history of music and culture, it stood like a giant statue in the hearts of people, enduringly infecting people, This can not but be a miracle It is a solo song composed of thirty-two “long” variations of the ancient dance “Qiaokong”. “Qiaokou” dance is not the same rhythm as the usual three-beat music, and its remake is not on the first shot, but on the second shot. It is based on the attached phonetic pattern.