“‘坐台批评’说辞让陷入与这种现象关联的人(批评家尤甚)如坐针毡。”在近期的一桩“纠纷”事件的批评互动中,除了具体涉及的法律话题,还牵出了与艺术、艺术界相关的各种话题~([1])。其中,批评家王南溟挖苦部分批评现象的修辞“坐台批评”被广泛关注。对于此词,批评家彭德在事件反思中说:“(事件中某艺术家)同批评家的关系,更多地体现为雇佣和被雇佣的关系……在批评变成职业行为的当代,这是一种常见的合作关系。只要不推到市场经济,它就会无处不在。有人认为批评家这种参与方式是坐台批评,无比反 ”“ Taiwan’s criticism ”rhetoric to get into the people associated with this phenomenon (especially critics) such as needle and pin. “ In a recent criticism of the ”dispute “ incident, in addition to the specific legal issues involved, Also brought out a variety of topics related to the arts and the arts ~ ([1]). Among them, critic Wang Nanming sarcastic part of the rhetoric of criticism of the phenomenon ”Taiwan criticism “ has been widely concerned. For this reason, critics Peng De said in the incident reflection: ”(an incident in the artist) the relationship with the critics, more reflected in the employment and employment relationship ...... In the contemporary era of criticism of becoming professional, It is a common cooperative relationship that can be ubiquitous as long as it is not pushed to a market economy. Some people think that this way of criticism is based on Taiwan’s criticism.