“景阳冈武松打虎”是古典小说《水浒》里面的精采章节。在语言艺术大师施耐庵的笔下,武松打虎“打”出了美的旋律。“饮酒”、“上冈”、“避袭”、“挫锐”、“劈树”、“打虎”,一个接一个的惊险场面,“翻、拿、闪、劈、踢、打”,一个接一个“特写镜头”,组成了动作序列,前后联系,彼此照应,具有鲜明的运动感、节奏感、层次感,显示出生动的造型美。 武松一登场,作者便精设计了一场豪饮。景阳冈前的酒店招旗上“三碗不过冈”五个字显出酒店的不寻常,它所喝的乃是“透瓶香”、“出门倒”的村酒,武松全不在乎,“拿起碗来一饮而尽,叫 “Jingyang Gang Wusong beats tiger” is a brilliant chapter in the classic novel “Water Margin”. In the pen of language master Shi Naijun, Wu Song played “beating” a beautiful melody. “Drinking,” “Shangoka,” “Assault,” “Cracking,” “Fir Tree,” “Tiger,” one by one, a thrilling scene, “turning, holding, flashing, smashing, kicking, playing,” One by one “close-up shots” constitute a sequence of actions, and they are connected to each other, and they respond to each other. They have a distinct sense of movement, rhythm, and sense of depth, and show a lively modeling beauty. When Wu Song appeared, the author designed a booze. The words “three bowls and no oka” on the flag at the hotel in Jingyang’s Gangwon precinct show the unusualness of the hotel. What he drinks is the “whole bottle of fragrant” and “going out” village wine. Wu Song does not care.” Pick up the bowl and drink it.