自从佛学提出了一系列认识逻辑后,绘画才有了对“意象”、“意境”、“佛教思想境”价值目标的追求,绘画才有了真正的面向主体心灵与画面主体的价值定位,也才有了后世的一系列价值观和传统绘画精神的嬗变。可以说佛教思想对美学产生了极大的影响,最终佛教思想宗美学发展成为中国古典美学的三大支柱之一。本文理论联系实际,对佛教思想对我国传统文人画的影响进行了探讨。 Since Buddhism proposed a series of epistemic logic, the pursuit of the value goal of “imagery ”, “mood ” "Buddhist ideology The value orientation of the subject also has the later generations of values ​​and the evolution of the traditional painting spirit. It can be said that Buddhism has had a great influence on aesthetics. Finally, the development of Buddhism and ideology aesthetics has become one of the three pillars of Chinese classical aesthetics. The theory of this article is based on reality, and discusses the influence of Buddhism on the traditional Chinese literati painting.