论文部分内容阅读
从意大利文艺复兴时代开始,建筑与绘画和雕塑一样成为“博雅”艺术,建筑师也逐渐脱离中世纪的工匠阶层,大大提高了自身的社会地位。但在当时,建筑专业训练和实践都尚未规范化,而建筑师们出身背景也各不相同。为了更好地理解这一复杂现象,笔者提议用相对灵活的框架来描述文艺复兴时期建筑师的专业训练,并选出三位出身和经历各异的建筑师来做具体分析:代表罗马文艺复兴盛期艺术家-建筑师的米开朗琪罗,体现早期学院风气的帕拉第奥和因地制宜在威尼斯创业的雅各布·桑索维诺。赞助人在建筑专业训练中的作用也将在后两者的例子里提及。同样值得关注的是这三个人物对后来的建筑师成长道路的影响。
From the Renaissance period in Italy, architecture and painting became the same as “art”. The architect also gradually separated from the middle class of artisans and greatly improved his social status. However, at the time, construction professional training and practice had not been standardized, and architects had different backgrounds. In order to better understand this complex phenomenon, the author proposes to use a relatively flexible framework to describe the professional training of Renaissance architects, and to select three architects with different backgrounds and experiences for concrete analysis: The Roman Renaissance The Michelangelo of the artist-architect of the period, Palladio, who embodied the atmosphere of the early college, and Jacob Sansovino, who started his own business in Venice. The role of patrons in building professional training will also be mentioned in the latter two examples. Equally noteworthy is the influence of these three characters on the growth path of the later architects.