论文部分内容阅读
中国画颇讲究空白,如画花鸟、草虫,多不画背景,让它空白着。因为中国画构图的最大特点是讲究虚实变化,而空白是虚实关系的一个组成部分,是和笔墨互相配合,相互发生的。绘画如此,散文创作亦然。读完韩少华同志的散文《温馨的风》(初中语文第四册),会发现一种特殊的语言现象,这就是:每当叙事之后表述自己的感受和体会时,就有类似于“说不清楚”的语句出现。为了便于分析,先抄录
Chinese paintings are very particular about the blanks. For example, flowers, birds and grasshoppers are often not painted, leaving them blank. Because the most important feature of the composition of Chinese painting is the change of reality and reality, and blankness is an integral part of the relationship between reality and reality. Painting is the same, and prose creation is similar. After reading Comrade Han Shaohua’s essay “The Cozy Wind” (4th Book of Junior High School), we will find a special linguistic phenomenon. This is: Whenever you express your feelings and experience after narrative, there is something similar to saying It is not clear what the statement appears. For ease of analysis, first copy